Friday, October 24, 2008

A Statement About the New Look

Cheers to Lady Liberty for our sexy makeover!

Tuesday, October 21, 2008

A Statement About Why I Am Not Sure About Fringe

Full disclosure:  I would follow JJ Abrams to the ends of the earth.  Felicity, Alias, and Lost are among my favorite shows (the latter two I watch on a regular basis in their entireties).  I severely dislike Tom Cruise and went opening weekend to see M:I3.  I am a Star Wars fan for life, but I will be there opening weekend for Star Trek  in May.

But I am not sure about Fringe.

It's not the plot that I am concerned about.  Something about the X-Files meets Alias theme tells me that this could go on for a while, and with a mythology that is at once intriguing and a bit more accessible than say, Lost or Alias.

I am not concerned at all about the characters, although it is strange that for once the female character is the least compelling of them all.  It is not like an Abrams heroine to play second banana to anyone, much less two men.  But there can be no question that the good doctor and his son are the bread that makes the sandwich.

It's not even the unlikely Boston locale that unsettles me.  I mean, seriously?  THAT much supernatural activity in that state?  Hell, in that part of the country?  At least Alias held to its main conceit and sent Sydney Bristow all over the world.  The least they could do is send the operatives all over the country.

No, it is not any one of these things that makes me hesitate to fully embrace and obsess over Fringe.  It is all of them put together.  There is something not quite right, something not quite gelling, that gives me serious pause.  It might be that the main actress, Anna Torv, is not grabbing me, a rare thing in an Abrams find (the man is pretty much batting 1.000 on finding gorgeous, compelling new talent with actual talent).  Because the actress is not grabbing me, the actor is, and Joshua Jackson is the best part of the show.  And the girl is not even matching him.  Which might be the point... she is the serious government type, and he is the sarcastic know-it-all with no loyalties.  Maybe.  But I don't like it.  And even Sydney Bristow with her two dead fiances and rogue mother and dead friends had a sense of humor.  There is something off about Fringe, and I cannot quite put my finger on it.

And so, I remain skeptical.

Sunday, October 19, 2008

A Statement About Mad Men and How Much it Kicks Ass

Mad Men is pretty effing excellent.

Let's just put that out there for a moment.  I watched the first episode well over a year ago when the initial critical praise just ramping up.  I have to confess that at first I didn't "get" it, and so tried to ignore the growing cult buzz.  However, after the continued hype and the whole Emmy win, it became increasingly apparent that I was missing something.  

So I bought the first season on iTunes, and ohmygoodness.  Stephen King was right when he wrote in a recent Entertainment Weekly column that Mad Men is a soap opera wrapped in nostalgia and style, but it is also much, much more than that.  It is a studied look at relationships and the expectations we have for eachother.  The marriage of Don and Betty Draper is one of superficial happiness (all of Betty's friends take time to comment about the apparent perfection of her husband) and deeply wrought undercurrents (after 6+ years of marriage, Betty still does not know the specifics of Don's past, starting with the fact that his name is not Don Draper).

All of this domestic turmoil landscaped by Don's advertising firm, Sterling Cooper, the literal source of manipulative advertising and false polish for the products people are trying to sell.  

The show might border on ordinary if not for the extreme flair and style with which it is presented.  For better or worse, we are transported back to an era where smoking is cool, a scotch at 10 in the morning is perfectly acceptable, and kids are left at home asleep at night with no babysitter.  The writing is excellent, the acting is subtle and effective, and it's just a great show.  

Plus, Don Draper is hot.

Thursday, October 9, 2008

A Statement About 30 Rock

I have been meaning to write this particular post for a while, but it's even more relevent today, so here we go.

30 Rock is excellent.  I don't say that with a single reservation, or with an ounce of exaggeration.  Tina Fey has created a show that is both smart and ridiculous (my favorite kind) and with a cast that is absolutely to die for.

The key to the excellence has to be a complete knowledge and respect for the people she wants watching this show.  For example, what should have been a routine product placement of Verizon products in season 2, the writers take on their selling-out dead on when Fey's Liz Lemon, after extolling the virtues of the network, looks straight into the camera and says "Can we have our money now?"

And then there is Liz Lemon herself.  Never before has there been such a female character on television, and she could not be more relatable even in her exagerrated neurosis.  Liz is socially awkward, a Star Wars dork, an emotional eater (see:  Cheese curls, a $57 steak, and a meatball sub with extra bread.)  Liz is not desperate for a man to come along and make her a complete person-- she already is.  But that doesn't keep her from wanting the companionship anyway (see: Dennis Duffy). 

Even the shortened second season (oh... the Writer's Strike seems so long ago, doesn't it?) the material is fresh and outrageous and smart as hell.  Why aren't you watching?

Monday, September 8, 2008

A Statement About Why Twilight is NOT The Next Harry Potter

OK, I know I have been saying I would do this for a long time, so here it goes.

There is currently a drive in the entertainment industry (at least the book and film bits) to convince everyone that the Twilight series will replace the Harry Potter series in terms of pop cultural and monetary importance.  There is also a movement to make people choose between Harry and Twilight, creating an artificial conflict between fans of both.  For the record, I read and enjoyed both to various degrees.  I like Twilight, and had fun reading it.

Twilight is not The Next Harry Potter.  And anyone who tells you otherwise has not been paying attention.  Twilight, enjoyable though it may be, features some of the worst writing in recent memory.  As an example, the number of times the word 'beatutiful' is used to describe the heroic Edward is almost laughable.  This is to say nothing of a serious lack of mythology and substance to anything pertaining to the back story.  In fact, it is not until the fourth book that Meyer begins presenting a universe full of vampires and lore.

Contrast this with Potterverse, where we know from the beginning that there is more to this world than just Harry, and we meet all of the various characters present in the climax of the series along the way.  The writing in Harry is also clearly superior, with the introduction of various concepts and plot hypotheticals throughout.  Rowling's use of the word 'basilisk,' for example, without any nod toward the fact that the word means giant snake, shows her respect for readers' intelligence and curiosity.

The main reason, though, that Twilight is not a worthy successor to Harry Potter, more than anything, boils down to the final books in the respective series.  The Deathly Hallows serves the rest of the series remarkably, offering closure to every major issue presented, and inviting the reader to see his favorite characters settle in to a comfortable and peaceful future.  Characters we know and love suffer and die, not to eccess, but realistically.  Breaking Dawn, on the other hand, devolves into a gory, bizarre alternate universe, different thematically, tonally, and every other way possible from the other books in the Twilight series.  A slew of new characters are introduced, expanded upon, and then dropped... clogging up the narrative and giving zero closure to fans who have followed the important people throughout.  Not a single character suffers or dies or sacrifices to produce the desired happy ending.

To even compare the Twilight to Harry Potter is completely innappropriate-- not just because of their differences in quality, but because in the narratives themselves,  they are completely different from one another.  This is probably the source of most of the heated debates between fans, as well as the source of the idea that readers must choose between the two.  This is not the case... we simply need to agree that one is vastly superior to the other.


Tuesday, August 12, 2008

A Statement of Apology

I know, I am officially the worst blogger EVER... I'm getting back in to it though... Don't give up on me yet!

Coming soon: A Statement About Why Twilight is NOT Harry Potter

Monday, May 12, 2008

Sorry Sorry Sorry

I'm really sorry, I know I have been super neglectful, I promise to come back soon.